pain

When Your Mother Suffers

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Long shadows stretched over the newly paved 178th St. near Shore Acres Drive in late July, and this meant the day was nearing its end. 

"Don't you think you should be getting home by now?" he smiled.

We'd been discussing my mother's arrival after a long trip. She should be home by now, and I should be home to see her. 

Late July in Grand Haven as a budding youngster means rising out of bed some time in the mid to late morning, with the sun streaming through the windows, offering light and life to the cave of slumber now faded with the flood of dawn. Then, it's grabbing a piece of fruit and getting a run-and-jump start on a BMX bike, hitting the trails, swinging on vines in the hills, and taking the raft out on Lake Michigan on days where you can see the bottom from thirty feet up, and the sand ripples together in wavy, congruent lines like the rings of sawn tree stumps. 

Late July in Grand Haven means riding all day, all over town, never caring for a bite to eat, because, "Who has time to eat?" Late July in Grand Haven means folks go on vacation, and maybe your mom goes to visit relatives in Chicago or some other big city. 

That was 1985. Late July in Grand Haven.

"Your mother's been in an accident."

"Is it bad?"

"Yes. Go take a shower; we need to go to Indianapolis."

Indianapolis? How did Mom end up there?

The Crash

Mom lives at Sanctuary on the Shore, a nursing home only a mile or two from where I grew up. She's in a wheelchair, and has only one leg. Her brain is damaged, she has diabetes insipidus, and suffers with bipolar as well. (As long as she's on her medication, she's "alright.") There's been some serious weight-gain over the years, sitting in that wheel chair and eating chips. Her favorite? Diet Coke with a ton of ice in the glass. 

You know something? She was more beautiful than Barbara Streisand in her hey-day.  But it was the accident when she was 40 which served as the progenitor of her demise, and it was the accident that killed another Mommy who had four children of her own. 

"I remember seeing headlights," she told me a couple years ago. That was news to me.  I had always thought she didn't remember. Huh. What do I remember? Seeing my mom in a hospital bed in Indiana hooked up to tubes and machines pumping life into her, and the shock I felt in looking at her swollen, black and blue and yellow face, and at her bloated, bruised body; and then her lifeless eyes open like a dead cow's, she rolls her head toward me, fixing her gaze upon me. Her body heaves up and down under the will of the machines' beeps and sighs. Mom? Her head turns away as her eyes close.  

This morning we were asked, "So, what are the issues that bother you when we talk about predestination?" (We're studying Romans in church.)  I have a couple: If all things are under God's eternal decree and command, how is God not the author of sin and evil?  If God knows the future, how do humans make free choices? 

The sovereign power of God as it relates to how things work in the world, especially regarding suffering and evil is a mystery, obviously (duh). Some get around it by denying omniscience (Cicero and Open Theists). Some deny free will (many--not all--Augustinians and Calvinists). Some affirm both (compatibilists). Some don't bother about it at all because it makes the head swim (pragmatists). Some try to resolve it with modal logic (scholastics and analytics). Others deny Christ because of it (apostates and rebels).      

"Don't you think you should be heading home by now?" That was John. He was older--in his 20's, and he smiled at me through his John Lennon specs. His feathered hair wore like a kind and gentle hat.  

"My mom went to visit my gramma a few days ago. She left this morning to come back."

"She's not home yet?"

"No." 

"Where'd she go?"

"Chicago." 

"And she left this morning?"

"Yeah." 

"And she's not home yet?"

"No."

"You're mom should be home by now." 

 "Yeah."   

"Don't you think you should be heading home by now?"

Pedals pushed hard in gyroscopic fear on that BMX bike, with a huffed and puffed worried flash to home. He's right. My mom should be home by now.    

There's my dad, on the phone with the police, his head on the freezer door. Now he's talking with my mom's parents, and he's leaning against the wall, face in.  

"She left long ago," they said. 

That's when I grab the little golden cross from my bedroom and start rubbing it between my fingers and thumb. Something to provide solace. Or maybe good luck.  Maybe an answered prayer. Never really prayed before, and not sure I know how to. The stars are out now, and it's dark all over. Where's my mom?

Hope Trumps Evil

How that does indeed fit with the predestination of God? "He comforts us as we comfort others with the comfort we receive from him" (2 Corinthians 1:4). That's a perfect circle if there ever was one. But does he actually send the pain, only in order to comfort us through it? Odd. But is he not in control of all things, as surely that nothing happens by chance? 

Hard to figure out. Sailing between the Charybdis of determinism and the Scylla of human autonomy ... not sure how to do it at this point.  

Just now, my daughter shows me a leaf with a flower attached to it. She's written on it, too. "I'm making a card for Jade. She's vomiting really hard." My daughters (8 & 6) came home from church today to find out that one of the neighbor girls next door is sick. So they decided to make some cards for her.  

They took green leaves from the trees and put flowers on them, and wrote her little notes on the leaves. "I hope you get well soon." Signed, "Nylah."  

"Hope" was missing the "e" and instead had a macron (long-vowel marking) over the "o."  Interesting. She's bringing someone some comfort, because she has been given comfort by God. How did they get the flowers to stick on the leaves? God, I love my daughters. 

Mom's speech is usually slurred due to her medication and normally, she "doesn't feel well." That's been the story for 20 years. Just now, she told me she woke up this morning and said to the Lord Jesus that she was ready for whatever he gave her today--whether to stay there in that place, or to throw off the garment of this temporal body and wait for the resurrection. 

"Whatever the Lord wants, Chris," is what she told me. I'm 41. How would I like to live the next 30 years the way my mother has lived hers?  God, no. It's what philosopher Marilyn McCord Adams calls "Horrendous Evil." 

Horrendous evil is evil that happens to someone that renders their life meaningless or simply unable to live. 

One example of horrendous evil is knowing that you are personally responsible for the death or disfigurement of a loved one. Or maybe it's being responsible for the death of someone else's loved one and then suffering mental and bodily damage to the point of being made inoperative in most of life. Or maybe it's being 13 years old and having this happen to your mom. Our hometown newspaper reported that she had been found naked. Naked. What? How? 

On the other hand, Adams says that such evil is capable of being "engulfed" and "defeated" by the love and power of God, because of his overwhelming presence. This seems to push off the "problem of suffering" to the next life, so I'm not sure how that helps us here and now. 

Still, knowing that Christ was tortured means that when we suffer, we are suffering with him and he with us. And perhaps the knowledge of the beatific vision (presence of God in the next life) aids us in coping with evil here and now. And maybe a get well card made by a little girl from a tree and a flower is a little way of defeating the evil, bit by bit.  Maybe with every good deed, every act of kindness, every act of forgiveness and reconciliation, there is the defeat of evil: with every act of faith.  

In His Hands

It's raining outside, and it's a real downpour, like liquid spikes made of crystal. Steady rain on a Sunday brings the soul into restorative sleep, and my mom's response is the restorative rain of faith: trusting the Lord for good or for ill.

"My life is in your hands," she told the Lord this morning. That's what she told me, in her crackling, slurred voice, her 68-year-old voice. 

"Honey, I told him, 'Lord, my life is in your hands.' Are you there? Honey? Hello?"

"Yeah, Mom. I'm here. I'm just listening to you." 

Her faith leaves me numb and speechless. It's not a bad kind of numb, but a good kind. Still, I can only listen at this point.

So, my mother is comforted by the Lord and the little Vietnamese girl next door is comforted by my daughters, and I am comforted by the downpour of rain outside and by my mother's faith. It's an act of the will to have the faith that is comforted by these things, and it's something that is like a buoy, keeping us afloat, as we await the rescue ship, for surely it is coming, and we must hold on. 


*Read more from my friend Chris at his blog. It's here ...  

 

Young Man Follow Prt.1 // An Interview with Eric Owyoung

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Eric Owyoung is a great example of a person chasing that God-echo within. You know, they sense God’s desire for their lives and they wake up each morning, have a cup of coffee and work. Hard. The life of a musician is often viewed through rose-colored lenses. But, like anything worth doing in this life, there’s a rigor to it.

Eric’s band Future of Forestry has made a name for itself since 2006, with it’s nine studio recordings (original and collections) and Christmas DVD, Solstice. Eric has garnered a reputation for creating awe-inspiring music with a live concert experience that is beautiful and almost otherworldly.

I spoke with Eric in the early morning hours to discuss the rigor of doing the work that you love, the beauty that comes from pain, and how the church can get behind its artists. In Part I of my interview Eric talks about the relationship between beauty and pain. 

Tim: You said that some of your songs communicate or delve into your everyday life. Those stories and thought sketches express tension and beauty. In The Weight of Glory, C.S. Lewis says that when we see or hear something beautiful that we really are longing for that “thing” behind it—that we’re longing for God.

So give me your definition of beauty and then maybe comment on whether or not you feel Lewis’ statement is true. When we hear your music, for example, and experience the beauty and power of your concert are we really experiencing God?

Eric: I don’t have a definition of beauty. It’s not something I think of cognitively if I’m in the process. But in just talking with you and thinking about it, beauty is such an intangible concept. When you hear a song and it’s warm and uplifting, it can be just beautiful and can bring you to tears.

Then sometimes you listen to a song that’s haunting and almost frightening, but at the same time, it’s beautiful. It’s strange to me that you can have such a wide variety of what is beautiful. I think because of that, I definitely haven’t tried to sit down and define it.

But in its application to my work and to my creative process, I’m sure that in every aspect of creating that I am striving to attain beauty, whether that’s through a dark haunting song or through a warm, embracing song. I equate beauty in many ways to the emotion I feel, that intangible emotion, and I used to be afraid of that.

I grew up in a Christianity that was all about a cognitive process and that frowned upon emotion. In my high school years I began discover how much of an emotional person I was and still am. I felt things very deeply. I could try as hard as I could to make that a purely cognitive process but I never succeeded. So I began to lean into the emotion and I think that’s why I started music because with all of those feelings that I had, that I could never explain or give anybody a definition of beauty, I felt in such a real way that music was the only way that I could express those things.

I always knew from the very beginning that those feelings were about God, it embraced God, it involved God, it was God. So no matter how I look at beauty, I know God is that pain and aching that is in my music all the time.

Tim: You went through a “pain and aching” time in your life. How were you able to find beauty and come out of the pain of the shadows of that life period with such a grasp on creating something that is beautiful, that has dissonance, and yet is melodic and can really soar? Was there anything specific that happened to you or in your spirit?

Eric: During the first Future of Forestry album, I had just gone through a really painful divorce. I was feeling such pain, and that kind of pain is really different from the pain you feel as an ache for God, just a simple ache for the glory and beauty of God. This is more the ache that you do not want to have. But with that ache I always knew and saw around me that there’s basically only two choices when you go through something like that. It’s either to draw closer to God or to get angry at God.

I knew there was a part of me that wanted to get angry at God because you’ve got to blame someone for your pain, and the easiest place to go is to the guy who’s supposed to be in control of all this and who is supposed to protect me and somehow didn’t do His job.

So I’m going, “Well, I can do that,” but I knew deep down that would never be a road to take me to a place that I would find fulfillment. It would just take me to more emptiness. I knew God well enough to know He was a friend and I knew I had to work some stuff out with Him through that. I just dove in. I’m an all or nothing guy and I don’t ever do anything halfway. I go for it, whether it’s music or any other project I’m working on.

When it came down to healing, I literally took that at full steam. I said, “If I’m going to heal, I need to face this hard thing and go straight to God.” And so, I took several trips by myself. I knew it wasn’t going to be through finding some advice from a pastor that would be the only answer for me. I knew it was between me and God, that I needed to work things out.

I took a trip to the Redwood Forest. I even took a trip to Maui, and it was a very barren experience. I was sitting on the beach by myself, talking to God. It was painful, but a lot of songs came out of that, a lot of grief and healing came out of that.

Tim: So often you hear people quote Lewis’s “... pain is a megaphone to rouse a deaf world.” Did the pain in your life arouse something in you that catapulted you to something else, some other place, a place that you understood God even more than you did before?

Eric: Yeah, I not only understood God, I understood myself. I understood the concept of love. The whole album “Twilight” was written around that aspect. The song was written in a twilight time of change because I was in the process of healing, and I also fell in love again with a childhood friend who I ended up marrying.

That twilight stage was this in-between stage, but one of the lines at the end of the chorus says, “In this twilight we are pale, in this twilight nothing else could be so real.” The idea of being real is exactly what you’re saying about the megaphone. It’s like going through that experience left me so raw and so human, so not what I felt before.

I felt untouchable before; I hadn’t gone through anything like that before. Things just weren’t real, I was living a fairytale life. When that happened it was like I got to be the guy in the movie who was just going through it and it stripped me of everything I had and left me with just me.

It was gruesome but at the same time, it was beautiful because I got to see myself as a frail, fragile, needy human being.

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This interview will be printed and distributed in its entirety at the Catalyst Conference in Atlanta next week in the Review of Leadership Thought & Practice, of which I am the editor. All content here used by permission. 

If you haven't purchased Future of Forestry's latest release Young Man Follow, do so here. 

Visit Future of Forestry